Oral Tradition Volume 24, Number 2October 2009

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Oral Tradition Volume 24, Number 2 Cover

Oral Tradition Volume 24, Number 2 Front Matter

Oral Tradition Volume 24, Number 2 Editor’s Column

Oral Tradition Volume 24, Number 2 About the Authors

Oral Tradition Volume 24, Number 2 Articles

	Sound Effects: The Oral/Aural Dimensions of Literature in English Introduction by Chris Jones, Neil Rhodes
	The Word Made Flesh: Christianity and Oral Culture in Anglo-Saxon Verse by Andy Orchard
	The Trumpet and the Wolf: Noises of Battle in Old English Poetry by Alice Jorgensen
	Mulcaster’s Tyrant Sound by John Wesley
	Shakespeare’s Sound Government: Sound Defects, Polyglot Sounds, and Sounding Out by Patricia Parker
	On Speech, Print, and New Media: Thomas Nashe and Marshall McLuhan by Neil Rhodes
	James Macpherson’s Ossian Poems, Oral Traditions, and the Invention of Voice by James Mulholland
	Theorizing Orality and Performance in Literary Anecdote and History: Boswell’s Diaries by Dianne Dugaw
	Written Composition and (Mem)oral Decomposition: The Case of “The Suffolk Tragedy” by Tom Pettitt
	Sites of Sound by Bruce Johnson
	Joyce’s Noises by Derek Attridge
	Where Now the Harp? Listening for the Sounds of Old English Verse, from Beowulf to the Twentieth Century by Chris Jones
	Sounding Out Homer: Christopher Logue’s Acoustic Homer by Emily Greenwood

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