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Sound Effects
Oral Tradition
Volume 24, Number 2
October 2009
Cover
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Front Matter
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Table of Contents
Complete Issue (4.4 MB)
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Table of Contents
Editor's Column
Sound Effects: The Oral/Aural Dimensions of Literature in English
Introduction
by Chris Jones, Neil Rhodes
The Word Made Flesh: Christianity and Oral Culture in Anglo-Saxon Verse
by Andy Orchard
The Trumpet and the Wolf: Noises of Battle in Old English Poetry
by Alice Jorgensen
Mulcaster’s Tyrant Sound
by John Wesley
Shakespeare’s Sound Government: Sound Defects, Polyglot Sounds, and Sounding Out
by Patricia Parker
On Speech, Print, and New Media: Thomas Nashe and Marshall McLuhan
by Neil Rhodes
James Macpherson’s Ossian Poems, Oral Traditions, and the Invention of Voice
by James Mulholland
Theorizing Orality and Performance in Literary Anecdote and History: Boswell’s Diaries
by Dianne Dugaw
Written Composition and (Mem)oral Decomposition: The Case of “The Suffolk Tragedy”
by Tom Pettitt
Sites of Sound
by Bruce Johnson
Joyce’s Noises
by Derek Attridge
Where Now the Harp? Listening for the Sounds of Old English Verse, from Beowulf to the Twentieth Century
by Chris Jones
Sounding Out Homer: Christopher Logue’s Acoustic Homer
by Emily Greenwood
About the Authors