Interperformative Relationships in Ingrian Oral Poetry
- Volume 25, Number 2
- Kati Kallio
- View PDF | Download PDF
- http://journal.oraltradition.org/issues/25ii/kallio
Abstract
Kalevala-metric oral poetry comprises various genres, from epic and lyric to ritual poetry, dancing songs, and lullabies. These poems were performed in diverse ways and applied to various social situations. The present article highlights the complexity of performance, referentiality, and local genres in Ingria. This complexity makes it crucial to take into account various analytical levels of the poem, from the content and meter to the melodies, refrains, and vocal style.
eCompanion
Photo 1: Swinging in the Kallivieri village during the Second World War in 1943.
(SKS KRA Hämäläinen 533:4)
Photo 2: The girls of Risumäki village posing still by the swing for the collector A. O. Väisänen in 1914.
(Museovirasto 128:11)
Photo 3: West-Ingrian singers returning from the recording trip to Tallinn in 1937.
(SKS KRA Järvinen)
1. Mitä noisen laulamahan (What Shall I Rise to Sing)
Reinterpreted from the manuscript by Kati Kallio.
3. Leeluttaja keekuttaja (The Swinger, the Swayer)
Reinterpreted from the manuscript by Kati Kallio.
4. Lavansaaren liekkulaulu (The Swinging Song from Lavansaari)
Reinterpreted from the manuscript by Kati Kallio.
5. Mitä noisen laulamahan (What Shall I Rise to Sing)
Reinterpreted from the manuscript by Kati Kallio.