Cultural Circles and Epic Transmission: The Dai People in China
- Volume 28, Number 1
- Qu Yongxian
- View PDF | Download PDF
- http://journal.oraltradition.org/issues/28i/qu
Abstract
This essay discusses the dual influences of Buddhist culture and indigenous religion found in Dai communities in terms of “cultural circles” and demonstrates that all Dai traditional poetry—Buddhist and indigenous—employs a key technique that can be termed “waist-feet rhyme,” wherein the last syllable of one line rhymes with an internal syllable in the succeeding line. This feature is embedded in both the oral and written traditions and is an important enabling device within the poetry of the Dai people.
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A Dai-luo elder who was pasturing cattle when I arrived at Lengdun Town, Yuanyang County, Honghe Prefecture.
Photo: Qu Yongxian.
Manuscripts employing traditional Dai scripts. Banyan village, Menghai County, Xishuangbanna Autonomous Prefecture, Yunnan Province.
Photo: Qu Yongxian.
An elder (pictured in the center) selling his manuscripts during a ceremony on October 11, 2009, in the Menghuan pagoda, Dehong Prefecture.
Photo: Qu Yongxian.
The manuscript of Ba Ta Ma Ga Pheng Shang Luo, preserved in the temple of Banyan Village, Mengzhe County, Xishuangbanna Prefecture.
Photo: Qu Yongxian.
A performance of Na Du Xiang as part of the celebration for a new house in Mangshi Town, Dehong Prefecture, on September 28, 2009.
Photo: Qu Yongxian.
The zhangha Yuyan, a professional singer famous amoung the Dai-lue people in Xishuangbanna.
Photo: Qu Yongxian.
A Dai-yat elder performing during an evocation ceremony on July 28, 2010, in Mosha Town, Xinping County, Yuxi City.
Photo: Qu Yongxian.